Fan Film, Fan Films

Star Trek Fan Film Feels The Pinch

pinch star trek fan filmWay back in the 1970s when I was in Second Grade, I had a Star Trek uniform shirt—an orangy tan number like Captain Kirk. I probably ruined it within days, because I barely remember it and there aren’t any photos of me in it (both a blessing and a curse). One of my classmates had a blue one like Spock, so we made a plan to wear our shirts to school the same day so we could play Trek at recess—a game that consisted mostly of me pointing at “aliens” (kids playing) and my pal giving ‘em the Vulcan Nerve Pinch.™ After our third or fourth alien, we got in trouble and had to sit out the rest of recess—because our aliens didn’t pass out; they ran to the teacher instead. Jerks.

But what if the Vulcan Nerve Pinch™ really worked? Wouldn’t that be awesome? Let’s find out, courtesy of Pinch, a fan film made a few years back by Buffalo, NY-based filmmaker Jerry MacKay of Littleflick Pictures. Good stuff, but I have to admit, the music at the end is my favorite part; people who love reality TV, however, will love the fact that Tony Bellissimo, one of the finalists from So You Think You Can Dance on FOX, appears in the record store scene. Thanks to Bryan Patrick Stoyle for the heads up!


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Aliens Epilogue UK Fan Film Underway

aliens epilogue fan film
The Alien franchise is beloved by many a Sci-Fi fan, but there aren’t that many related fan films out there. There’s Sandy Collora’s well-known , and Alex Popov’s CGI fest, Aliens Vs. Predator: Redemption, which is still under construction. Now you can add Darren Kemp’s Aliens Epilogue to the list.

In production since 2007, Kemp’s flick is reportedly 70 percent done now, and the team behind it hopes to finish shooting by the end of 2009.

aliens epilogue fan film 2

Basically it’s a fan film intended as an homage to the master piece that James Cameron brought to us back in 1986 that was Aliens. Aliens Epilogue picks up where Aliens finished and will see the United Kingdom Colonial Marines pitted against the Aliens. The film is entirely financed by whatever the Director happens to have in his wallet at the time which sometimes makes things difficult but we’re getting there.

So far, there’s no video available, but the website is chockablock full of photos, so take a look.

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Dr. Who Puppet Fan Film: The Doctor’s Destiny

doctor who puppet fan filmThere’s a lot of Doctor Who fan films out there, but this is the first one I know of that stars puppets. Not only that, but it’s an excellent mood piece, with great production values and voice work.

Produced by the 99 Acre Woods Podcast, the flick is short but looks like a pro production, with clean effects, tight editing and a Doctor that resembles an older, wiser Guy Smiley.

In the flick, a future Doctor comes to the rescue of a young refugee on a distant world (not River Song, but inspired by her). The fan film was made by Doctor Puppet films with narration by DB cooper and music by Tony Diana.


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Star Trek: Phase II’s Cawley in J.J. Abrams’ Trek Reboot

STNV Star Trek New VoyagesIt’s been no secret that J.J. Abrams’ recent reboot of Star Trek has lots of in-jokes and asides for hardcore fans. For instance, numerous Trek fandom notables were recruited as extras, like MIT professor Henry Jenkins (whose scene was cut), and leader/”Captain Kirk” of the popular  Star Trek: Phase II fan film series, James Cawley.

That Cawley was hidden away in the feature film wasn’t a surprise to fans; he mentioned it on his site and it came up numerous times when I interviewed him for my fan film book, Homemade Hollywood. Rather, the question was where he was hiding out. Much as Star Wars aficionados have been searching the film for a glimpse of an R2D2 reportedly hidden in the background somewhere, fan film fans have been trying to spot Cawley.

Of course, it helped that one of Cawley’s fans, SpiderMike, claimed on the ST:P2 forums that he’d spotted the fan filmer twice. In the interest of helping y’all find Cawley, we dug up some stills from the film and added them to the comment below (didn’t even know we had pics until we stumbled across them, covered in dust under the couch, while looking for an errant sippy-cup. Absolutely no idea how they got there).

So, the comment from the ST:P2 forum:

Both shots of him occur after Spock steps down as captain. Spock leaves the bridge and after a short scene we return to the bridge where Checkov has an idea. He gets up and a fellow officer in gold brushes by him – THAT’S JAMES!!

star trek phase ii james cawley cameo 1

A few mins after Spock emerges from a turbo lift. To his right (our left as we’re looking at the screen) is none other than James AGAIN.

star trek phase ii james cawley cameo 2

Kudos James. It was wicked seeing you on the big screen and I screamed like a girl when I saw u the first time and even better when u grabbed more screen time.

star trek james cawley cameo 3

Does that really look like him? Hard to tell, and Cawley hasn’t given a yea or nay on it. Here’s that last shot and a publicity still of ST:P2, side by side. Wow, I think it could go either way—I’m 50/50 on this one. What do YOU think? Give your thoughts below in the comments!

PS—It should be pointed out that even if it’s not James and he somehow wound up on the cutting room floor, dude, he was there, making him infinitely cooler than you or I shall likely ever be. Nothing but good vibes for the guy coming from this blog.

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SOFTWARE REVIEW: Toast 10 Titanium

toast_10_titanium_300dpi_rToast started out over 10 years ago as simple Apple Macintosh software for burning copies of CDs, and later, DVDs. Since then, users’ needs have changed: Folks want to transfer their music and movies to iPods, laptops, Tivos and other devices; CDs—and increasingly DVDs—no longer offer enough space; and the cost of data storage has gotten cheap enough that you can buy an external 1TB hard drive for as little as $80.

With all those changes, is there still a need for Toast? The answer is yes.

Toast has evolved with the times to become far more than just burning software; these days, it’s a suite of integrated media programs devoted to different forms of archiving. Roxio Toast 10 Titanium comes in two flavors: regular (in the red box, $99 list, $78 on Amazon) and “Pro” (in the blue box, $149 list, ). Both editions offer features that are useful for fan filmmakers, but as might be expected, the Pro version offers more tools. That said, I’m reviewing the regular version, so I can’t offer insight into the extra items in the Pro edition (they sound pretty cool though).

The frugal will point out that many of these features can be accomplished by using combinations of multiple freeware or shareware programs, and that’s true; however, while working with Toast, I discovered that what you’re paying for is speed, quality and convenience. Toast wraps up all the steps that you’d have to go through using a batch of individual programs, and usually condenses them into one or two steps; in testing, I often found the end results were also of noticeably higher quality, particularly when converting video from one medium or format to another.

Disc burning is still Toast’s forte, and it does it well. If you need to backup your old DVD masters of fan films or home movies, there’s no quicker way to do it on the Mac. Sure, you can make copies using Apple’s free Disk Utility, but that takes step after step after step; with Toast, it’s one button and one disc swap–done. Also, it’s reportedly the only software around right now that allows you to burn Blu-ray discs; I didn’t have a BD burner available to test that feature, but apparently it’s set up to run just like the DVD burning menu.

toast web-video-capture-newArchiving is the big emphasis for Toast, and it has become a Rosetta Stone of sorts, allowing users to move content from one format to another. Fan film fans who want to watch, say, Batman: Dead End, without being stuck at their computers can use Web Video To Go, a feature (shown at left) that saves Flash-based web video from sites like YouTube to view offline, burn to DVD or convert for viewing on portable players such as an iPod, PSP or iPhone. In testing, I found this feature relatively straight forward, and once I burned some YouTube videos to DVD, the encoding results were better than what I could achieve with iSquint (once-excellent freeware that has since been abandoned by its author). Again, there were far fewer steps involved when I used the Toast 10 software. Besides hardware-specific settings, Toast allows you to convert video between a wide variety of formats, including DV, DV 16:9, HDV 720p, HDV 1080i, QuickTime, AVCHD, MPEG4, H.264 and 3G.

toast menuToast lets you take various videos, whether your home movies, downloads or whathaveyou, and compile DVDs from them, complete with menus. Yes, you can do this with iMovie and iDVD, which come standard on any Mac. Again, those programs require more steps, but in this case, they’re worth it. While Toast sports 20 new DVD and Blu-ray Disc menu styles, iDVD’s menus generally look better and more professional. Want to keep your home video footage or fan film on your Tivo? You can do that too, using the new Mac2Tivo program that’s bundled with Toast; alternately, you can take TV shows stored on your Tivo and convert them for use on your Mac, iPod, etc. That’s a feature that’ll come in handy when you need to grab footage to make that fan edit of “Darth Vader meets Fat Albert.”

Of course, these days, DVDs are almost passé, and they’re certainly not instantaneous enough for the modern “I want it now” consumer. Let’s say you run into run into Angelina Jolie and want to show her that great fan film, Tomb Raider: Ascension, so she can see how the Lara Croft movies shoulda been done. You have your iPhone with you, but dang, turns out you don’t have the movie loaded on there; you can use Toast’s iPhone app, Streamer, to watch it via WiFi, direct from your home computer.

For fan filmers who shoot copious amounts of footage, transfer it to their computers, back it up on disc and then can’t keep track of their discs (that’s pretty much all of us), the predictably named DiscCatalogMaker RE keeps track of what’s where. Additional programs bundled in include Disc Cover 2 RE, which makes both covers and labels based on various generic designs, and Get Backup 2 RE, which helps backup material. toast smart-folder-sync-new

Many complex fan films are built by teams spread out across the internet; just look at the hordes of visual effects pros who contributed to the recent viral video smash, The Hunt For Gollum—they were spread out around the world. Coordinating who has what footage, what effects have been done and whether everyone’s working with the most up-to-date edit of the movie can be a nightmare. In a case like that, Toast’s new Folder Sync (shown at left) would come in handy—it synchronizes folders bi-directionally between multiple computers, network volumes or external hard disks.

In all, I found Toast to be as strong as ever; truthfully, the only weak link was CD Spin Doctor, which remains as buggy as a picnic in the Everglades. Every time I tried using the program, it wouldn’t save audio files, or it demanded that a file be saved in a different format and then wouldn’t save, or it would attempt to save and then crash. Any resulting files could never be reopened by it or any other program, and the ‘Send to iTunes’ feature crashed CD Spin Doctor as well. Even tried-and-true troubleshooting methods like updating the system, rebooting the computer and so forth didn’t help. Another oddity was that the program would announce it was going to draw a wave form of the audio file…and then would create a flat line. To be fair, the filters that come with CD Spin Doctor are amazing—with just a little fiddling, you can revive the most poorly recorded material—but without the ability to save the results, there’s little point to them.

But that’s only one (admittedly horrendous) aberration; the rest of Toast remains a solid set of sophisticated tools for ensuring that your work can be both seen and saved, no matter what media format you choose.

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Spider-Man: Beyond The Dark Italian Fan Film Debuts

spider-man fan film beyond the darkSuddenly in the world of fan films, Spider-Man and European fan productions are all the rage. Combining both trends, then, is Stefano Morandini’s Spider-Man: Beyond The Dark, an Italian Spidey flick which just hit YouTube. I wrote about this one a while back when it was in production.

While it features equal amounts of action and arguing (subtitled, thankfully), the short also sports a fair amount of arty symbolism, from metaphorical caskets to a dreamstate Mary Jane. Share your opinion of it below.

Peter Parker has lost everything: his girlfriend, Mary Jane, and himself. He has no more reason to fight in this life, and in this case, he wears the black suit as symbol of mourning and despair. The Hero is dead but The Man? During a fight versus his nemesis, Goblin, Peter Parker rises again.


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Fan Film Festival on Long Island TONIGHT!

Homemade Hollywood

Homemade Hollywood

Live on Long Island in New York? Love fan films? Got nothin’ to do tonight? Well, now you do!

Tonight (June 9) at the Port Washington Library, I’ll be doing an author talk/book signing, where I’ll show some of the all-time greatest fan films on the big screen, and give a multimedia presentation tracing fan movie history from 1926 to the present. Copies of Homemade Hollywood will be available, and I promise not to write anything obscene when I sign them (unless you ask nicely).

The event is at 7:30 PM, and the library’s address is:

The Port Washington Public Library
One Library Dr
Port Washington, New York 11050

You can get directions . See you there!

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Watchmen : The High School Years Fan Film Series

Here’s a series of Watchmen fan films endorsed by Rorschach himself—Jackie Earle Haley. Dude liked ‘em so much that he posted the entire series to date on his blog. I gave ‘em a watch (so to speak), and yeah, they’re funny stuff. The first one starts off slow, but stick with it.





…and where’s the final episode? Still being worked on. The reports:

Chapter 5 will be released in two parts, however there won’t be too much of a gap between the releasement of the two. It’ll be the longest Chapter so far, probably between ten and fifteen minutes. We’ll be seeing all the characters, so for those of you who were having Veidt withdrawel symptoms, he’ll make his triumphant return.
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Also, when you watch Chapter 5 (and the rest of our videos from now on) there will be a clue in it that’ll represent the topic of our next video to come. We thought it would be a cool easter egg to include, so… props to anyone who spots it!

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Batman: Ashes To Ashes French Fan Film Is DOA

batman ashes to ashes fan filmLast week, the new French fan film, Batman: Ashes To Ashes, tore up the internet, as websites, bloggers and Twitterers raved about the 17-minute flick that mixed Sin City-style visuals with Batman’s Gotham City.

The fan film presents a tale of thugs who steal a ruby (sort of) because a priest put them up to it…or maybe it was the Joker, and…um…people die and there’s a lot of crying, and then Batman (who’s barely in it) sits in a cinema and…oh, I can’t tell you. I’m not avoiding spoilers here; I really can’t tell what the hell happens. In fact, the film’s popularity is just as incomprehensible as the movie itself, and believe me, this flick makes no sense at all.

True, I was offended watching a woman bash her baby daughter’s brains in while having sex on all fours with the Joker in front of her husband who’s bound and gagged with his eyes peeled open so that he has to watch, “forcing” him to blind himself with spikes that are attached to his hands in order to avoid witnessing the carnage before him. I kinda understood where he was coming from.

But that’s not why this movie sucks.

Being disturbing is fine if you actually have something to say—George Carlin’s infamous “words you can’t say on TV” routine was the height of impropriety back in the day; Jodie Foster’s The Accused messed me up for days after I saw it on the big screen; and even Eli Roth’s torture porn spectacle, Hostel, attempted something akin to commentary on the popular view of Americans as ugly users. In all these cases, the viewer gained insight as a result of examining (or enduring) offensive material.

Ashes To Ashes, on the other hand, has nothing to say; it’s merely a train wreck of cheap shock value, style-over-coherence editing and disjointed writing. I suppose one could argue that it’s always worked for David Lynch, but this is a fan film, these guys aren’t Lynch, and heck, even Lynch isn’t what he used to be anymore. The handful of gorgeous effects shots “inspired” by Sin City will make a lovely calling card for the visual effects houses involved, but otherwise, Ashes to Ashes should be buried and forgotten. Lest anyone miss my point, I think Roger Ebert said it best in his famous review of North:

I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.

Unconvinced? See for yourself below, but remember, this is NSFW.

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JUNE CONTEST: Win RiP: A Remix Manifesto On DVD!

Rip DVD Cover 2Tarantino and Peckinpah aren’t “Outlaw Filmmakers;” the people who make fan films, now those are outlaws, riding hell-for-leather all over copyright and intellectual property law! You know Quentin never risked going to jail to make a movie, but fan filmmakers have no choice but to go rogue if they want to practice their art.

Of course, if you’re gonna break the rules, you gotta know what they are, but most fan filmmakers don’t know much about IP law—mainly because it’s boring as hell. Which is where this month’s contest comes in:

Fan Cinema Today is giving away THREE DVDs of the awesome documentary, RiP: A Remix Manifesto!

Coming to stores on June 30, the flick is about copyright law and IP, but it’s more than that: It’s about music, mashups, fan edits, DJ culture, your rights, the cure for cancer and the evil that corporations do. Most of all, it’s not boring!

To make their case, the filmmakers take you from the slums of Brazil to the rave tent at Coachella, to the taxicabs of China, to the crowds at Disneyland, to a photoshoot for Playgirl and more. How many movies do you know that feature appearances by both the head registrar at the US Copyright office and Paris Hilton? It’s a fun, fast-paced flick that entertains while explaining the problems of copyright in today’s world. I don’t agree with all the filmmakers’ ideas, but they make some good points—plus it has a good beat and you can dance to it (seriously).

HOW TO ENTER: It’s jaw-droppingly simple. Drop me a line via the “Contact” button up in the top right corner of this page. Send in your name, email, name your favorite fan film, and say something about why it’s your favorite. The contest ends at Midnight, Friday, June 26, and I’ll pick the winners at random. You must live in North America to enter (apologies to Andrew Smith of illegibleme.com).

In the meantime, the movie’s press release explains it far better than I ever could, so here’s more dirt on RiP:

OFFICIAL SELECTION – SXSW Film Festival
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“About as edgy and fascinating a glimpse as you’ll get into one of the more pressing issues of our Internet Age.”- Montreal Gazette
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“The sexiest film about copyright infringement I’ve ever seen.”- CBC
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RiP! A REMIX MANIFESTO
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Following Rave Reviews From North American Theatrical Runs, This Innovative, Mashed-Up Arthouse Favorite Shattering the Wall Between Media Users and Producers Will Debut June 30 on Loaded DVD for $24.95SRP. Jam Packed With Over 90 Minutes of Bonus Features, Including Favorite Mash-Up Videos From OpenSourceCinema.org, Deleted Theatrical Scenes and More!
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NEW YORK, NY – A true movie for the digital age, RiP! A REMIX MANIFESTO is an innovative, surprisingly raucous and energetic documentary exploring the complexities of intellectual property in the era of peer-to-peer file sharing. An audience favorite at film festivals worldwide, this movie-as-mash-up shatters the wall between users and producers, as web activist and filmmaker Brett Gaylor invites audiences to remix his raw footage (at opensourcecinema.org), allowing them to become part of the film itself. An Official Selection at SXSW 2009 and the Audience Choice selection at Amsterdam’s International Doc Festival and the Whistler Film Fest, RiP! A REMIX MANIFESTO makes its DVD debut on June 30 for $24.95SRP.
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The innovative DVD also offers over 90 minutes of exclusive bonus footage unavailable anywhere else. Included are deleted theatrical scenes featuring nearly an hour of Professor Lawrence Lessig, founder of Creative Commons and Stanford’s Center for Internet and Society, author of “Remix”, “Code V2″ and “Free Culture” and one of Scientific American’s Top 50 Visionaries, discussing free culture (55:16) and “Lawyer’s Reaction to Film” (1:22), among others; and, nearly 30 minutes of mash-up favorites from OpenSourceCinema.org and beyond, including “George Bush – Bushwacked (State of the Union Remix)”, “Olio – Remix Culture Video”, “Girl Talk – Ryan Edit”, “Girl Talk – Rotoscoped”, “Who Is Girl Talk”, “Girl Talk Photo Montage” and “Steamboat Mickey”.
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Called “a true work of art that relies on the remix technique at the center of its discussion1″, RiP! A REMIX MANIFESTO embraces the debate on accessibility, copyright infringement and artistic freedom and truly challenges the thresholds of fair use. To explore the intricacies, filmmaker Gaylor interviews key figures in the ongoing debate including Lessig; Cory Doctorow, technology activist and co-editor of the popular blog Boing Boing; world-renowned musician, web proselytizer and former Brazilian Minister of Culture, Gilberto Gil; U.S. Register of Copyrights, Marybeth Peters; The Mouse Liberation Front and the film’s central protagonist, Gregg Gillis, the Pittsburgh biomedical engineer who moonlights as Girl Talk, a mash-up musician, rearranging the pop charts’ DNA with his incongruous, entirely sample-based songs. But is Girl Talk a paragon of people power or the Pied Piper of piracy?
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While the film offers an intelligent look back at the colorful history of copyright laws, it also illustrates the current simplicity with which digital tracks can be lifted from one source and placed in another. A participatory media experiment from its inception, “RiP!,” says Gaylor “is an attempt to move beyond the traditional relationship of producer and consumer – we want to recognize that this passive era is over…and that the film remains an evolving conversation about intellectual property in the digital age.”

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